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ART PROJECTS

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The artist determines what is needed to express and implement an idea and how far it can go.

2025

2025

Suspended
Exhibition-performance. January 21-27, 2025. Dzyga Gallery, Lviv, Ukraine. The project is a collaboration with Barbara Le Béguec Friedman (France).

The collaborative project began in November 2023. It explores the sense of temporality and uncertainty, the state of pause. Through the “exhibition in action” format, the authors focus on how time, the rhythm of everyday life, and memories affect our perception of reality. The key questions of the project are: what is our state today? What is the common context for us? Can we find stability in our memory and experience?

The project presents various art forms: paintings, objects, installations, performances and videos. For 7 days, the exhibition changes daily. Its final day is the opening. It is not about the result, but rather about the possibilities that remain open. “Suspended” is a state, the exhibition is an invitation to be together, to act and to reflect on time as memory, personal and collective (full text).

Performances.

Day 1. And the price of the sky?

Day 2. How many more?  

Day 3. Can you hear me?

Day 4. Tell me a story

Day 5. Time machine 

Day 6. Performance at the “opening”.

Day 7. Exhibition.

Photo R. Kuzyk, M. Koziy, R. Haideichuk

2023

2023

Akceptacja pustki
Acceptance of emptiness. Video documentation, installation. March, 2023
Szatnia Gallery. Mikolaj Kopernik University in Torun. Torun, Poland.
A cloakroom is a place where objects, clothing, touches, stories stop. This place is public, but ideologically it is consonant with the home wardrobe. The absence of a person is revealed by clothes hanging on a hanger. Thus temporality, repetition and anticipation become more acute. Memory constantly tries to reach, see, feel the person, erase the distance. We are all alive in memories.
Death creates a feeling of imprint in the subconscious. It will not be forgotten, it will not be deleted. It is constantly present: there is no soil, no asphalt, no clutch, there is only an infinite sky for travel, limited by the ceiling. I close my eyes and hug those who are far away, who live in memory which is the present.

Performance
Video documentation of performance created in October, 2022.
Rupert Residency, Vilnius, Lithuania.
Bicycle, the role of paper 1,85m x 40m, echo
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2022

2022

Kita stotelė
Next stop.
Video, photos, performance, drawings, texts. October, 2022
Rupert, Vilnius, Lithuania.

¨Kita stotelė is the first phrase that immediately became clear to me here. "Наступна зупинка" ("Next stop")

I juggle this Lithuanian-Ukrainian string in my mind, I repeat it: Kita stotelė - Наступна зупинка - Kita stotelė - Наступна зупинка - Kita - Kita - Kita - Kita - Kita...

It's like scrolling pages, photos and posts. A constant pursuit of sequences

And what do I find at the end?

I listen to my bus, my rhythm, my time.¨

Text.

2021

2021

Magic Carpets #4
The myth of Corviale. Performance with the local inhabitants. June 2021.
Terra Mater. Latitudo Art Projects. Corviale. Rome, Italy.
The word forms the text that we need to keep living and spread to make it visible. It is like a seed that we need to sow and grow to gather the harvest. That's why the plants and the soil became materials of this performance. The amphitheatre as the meeting point of past and present, of the visible and invisible, became the place of the final presentation. The central part of this work is formed from the conversations and meetings with the inhabitants of Corviale. It was an opportunity to talk to them, to feel how they create the real myth… All the dialogues have become the audio part of the final performance accompanying the mutual collaborative actions.