PERFORMANCE

Untitled.  Prezent performance. Flander Festiwal. Gdansk. Poland. Photo M Jurkowski

"Performance is a contact with public...

       ... it is a self-immersive presence..."

 

2019

Kilograms of the memory

"Kilograms of the memory" is a series of performances based on stories from my memories. The place is very inspiring, its context and light, the objects that are here. For several days, I worked on a papier-mache object in the workshop of "Espace o 25rjj" during the residency: it was a pillow that becomes a sign of memory that turns into a dream. This pillow is solid, it has an unalterable final shape that can only change with the presence of reality. "When I was little, I had a cushion with birds of which I dreamed of the horrors." Now I lie on a rusty bed and watch the birds flying in the endless sky.

International performance art festival “Kolo czasu”, Torun, Poland. December.

Coloured candies, sugar. 

The memories are good, sometimes horrible, sometimes sweet or even too sweet.

Kilograms of the memory

PAErsche, Cologne, Germany. 24 November

Gauze, lipstick, wall, trace.

Kilograms of the memory

Photos of the performance, November 15, 2019,

Video documentation.

Espace o25rjj, Loupian, France.

Yard, rusty bed, papier-mache pillow.

Cycle

Video documentation. September 15, 2019.

II Biennale of Young Art. Kharkiv, Ukraine.

32 wooden ladders of 60 cm long, circle, rope.

“The idea of the project appeared in Poznań during the Gaude Polonia scholarship program in 2013. Although the Revolution of Dignity began after the artist returned to Ukraine, the pressure and tension at that time seemed to be "present in the air". So the performance came out as an attempt to express a vague and incomprehensible sense of discomfort, and also as a result of studying the space - the rounded architecture of the Rotunda Gallery in Poznan. This project marks the transition link from space as an environment external to a person, to the environment into which a person is immersed” (Daryna Skrynnyk-Myska).

To be

Photos of the performance. 3 hours performance (3d part). July, 2019.

Video documentation.

International performance art festival “Carbonarium: The body of the city". Kyiv. June

Trees, rubbish, resin, sun, smell, sloping roof. 

The city is an environment where the distinct contrast between individual and public, open and closed, pause, and fast continuous variability is clearly manifested. Everything is public and accessible. The search for intimacy in time, context and dialogue with the place is constantly present as a need to be.

 

2018

Over and under

Video documentation of the performance. December, 2019.

International performance art festival “Kolo czasu”. Torun, Poland.

Roll of ochre film, table, fall down, sound, hole in the floor.

Sculpture

3D Pubilc Art”. July, 2018.

National Reserve “Sofiya Kyivska”. Kyiv, Ukraine.

Transparent film, marker, flexible.

The idea of this action was to create the connection between the space and public using the form of a live sculpture, moving around the territory of The National Reserve “Sofiya Kyivska”.

My place

Performance art festival Zabih. May, 2018.

Park Zalizna Voda, Lviv, Ukraine.

Dress, grass.

 

2017

Looking for a line

Gallery Artishow, September, 2017.

Barcelona, Spain.

Yard, stones, trees, eyes.

From one side to another

Giartino. Torun, May, 2017

Dead tree, live sculpture, poplar fluff, river.

 

2016

Untitled

International performance art festival ZAZ. Tel Aviv, Israel. December, 2016.

Wall, curtain, stable and mobile, movement, a skein of black elastic.

Column

Photo documentation of the performance. Days of Performance Art in Lviv. September 2016.

Video documentation.

20 packs of paper, white dress, blade, stone, thread.

Each crack inspires changes

Photo documentation of the performance.

Munich. Germany. May 2016

Window, flour, dough, hide.

To see and to be seen. To look and contemplate. Inside and outside. Where is the comfortable border between the people?